Download Song: Amazon | iTunes
twt.fm / peter cincotti [on the moon] -- "i love paris" ILP
hamid tekebaye
Download Song: Amazon | iTunes
twt.fm / lhasa de sela [lhasa]-- "bells"bells
hamid tekebaye
Download Song: Amazon | iTunes
twt.fm / van morrison -- "moondance"
hamid tekebaye
Take your time: Olafur Eliasson
May 1 - September 13, 2009
Olafur Eliasson, Beauty, 1993. Installation view at AROS Aarhus Kunstmuseum, 2004; Collection Museum of Contemporary Art, Los Angeles with funds provided by Paul Frankel; photo: Poul Pedersen; © 2009 Olafur Eliasson
Program:
Saturday Shorts: UV Sculptures
People Who Shape Our World: Olafur Eliasson
Curator's Tour: Take your time: Olafur Eliasson
Micro-Symposium: Art / Science / Spectacle
Curator's Tour: Take your time: Olafur Eliasson
Curator's Tour: Take your time: Olafur Eliasson
Project Funding
Take your time: Olafur Eliasson is organized by the San Francisco Museum of Modern Art. Lead support was provided by Helen and Charles Schwab and the Mimi and Peter Haas Fund. Generous support was provided by The Bernard Osher Foundation, The Barbro Osher Pro Suecia Foundation, and SFMOMA’s Collectors Forum. Additional support was provided by Patricia and William Wilson III, The Andy Warhol Foundation for the Visual Arts, and the National Endowment for the Arts.
Lead support for the Chicago presentation is provided by the Harris Family Foundation in memory of Bette and Neison Harris and by Anne and Kenneth Griffin.
Major support is provided by Liz and Eric Lefkofsky, Cari and Michael Sacks, and Helen and Sam Zell.
Additional support is provided by Margot and George Greig; Agnes Gund; Nancy Lauter McDougal and Alfred L. McDougal; Jill and Peter Kraus; Barbara Bluhm Kaul and Don Kaul; Rosina Lee Yue and Bert A. Lies, Jr., MD.; and Chara Schreyer and Gordon Freund.
Official Airline of the Museum of Contemporary ArtVisit the Take your time: Olafur Eliasson Feature Site
Take your time: Olafur Eliasson is the first comprehensive survey in the United States of works by Olafur Eliasson, whose immersive environments, sculptures, and photographs elegantly recreate the extremes of landscape and atmosphere in his native Scandinavia. Drawn from collections worldwide, the presentation spans over fifteen years of Eliasson's career. His constructions, at once eccentric and highly geometric, use multicolored washes, focused projections of light, mirrors, and natural elements such as water, stone, and moss to shift the viewer's perception of place and self, foregrounding the sensory experience of each work. By transforming the gallery into a hybrid space of nature and culture, Eliasson prompts an intense engagement with the world and offers a fresh consideration of everyday life.
Take your time: Olafur Eliasson is organized by the San Francisco Museum of Modern Art.
Hazem Saghieh, 9 - 07 - 2009
The missed chances and false trails of the Arabs’ political projects are highlighted in their reaction to Iran’s proto-revolution, says Hazem Saghieh.
9 - 07 - 2009
When eastern and central European countries turned from communism to democracy following the collapse of the Berlin wall in November 1989, Arabs found themselves facing a great predicament - one for which they were not prepared. They were not acquainted with the youthful democratic forces that were becoming the leaders of those countries now free of Soviet domination. But, more important, as allies of the former Soviet Union, the Arabs looked at the transformation and the forces behind it with doubt and suspicion.
This tendency was reinforced by the fact that the "change" was welcomed by Israel, as well of course as by the west in general. In this context, there were prominent voices in the Arab world who warned against an evil "conspiracy"; and others who spoke of the suspected role of the "Jews". All this increased in turn feelings of aversion and estrangement in east-central Europe itself towards the Arabs.
There was a definite cultural dimension to this complex of attitudes. The prevailing tendencies of Arab political thought persisted in their allegiance to despotic ways of thinking - whether nationalistic, religious, or class. They turned away from the vibrant and vital emerging ideas from the public squares of Berlin, Prague, and Warsaw that were inflaming the imagination of the rest of the world.
The tragedy culminated when the Arabs sought to justify their stance, naturally by relating everything to the Israel-Palestine issue. But the question of Palestine, with all its principles and values, proved not enough to refine or smarten the Arab bias to totalitarian regimes. Indeed, Arabs behaved and argued as if they preferred to remain in the narrow alleys instead of the wide highway. More significant, they did everything to ensure that they remained in those alleys and lengthened the distance separating them from the highway. In the end, Arabs lost the friendship of states with tens of millions of newly conscious democratic citizens who were preparing to re-enter the arena of history with plenty of enthusiasm. What we, the Arabs, lost was - equally naturally - won by Israel.
www.Lichtbildwelten®.de
...less is more...
Due to invite and introduce you to my preferred artworks in blaiteprinting and further passions, this new site'll
present some of my favorite creations during the following weeks and months; to enable you
to take part on a journey concerning unfaked human beauty, joy of life and peace
we all deserve. To slow down in unity, come undown and think it over.
Therefore this new gallery is for you and your beloved.
The webmaster in spring 2009
© Lichtbildwelten
Interactive / Hamburg
© Lichtbildwelten
Coldplay / Hamburg
© Lichtbildwelten
Perpetual / Hamburg
© Lichtbildwelten
© Lichtbildwelten
Publisher: A CFR Book. Free Press Release Date: September 2009 320 pages |
Overview
Renowned Middle East expert Vali Nasr's bestselling The Shia Revival profoundly transformed the debate about the Iraq War by unveiling how the Sunni-Shia rift was driving the insurgency. Now, in Forces of Fortune, Nasr presents a paradigm-changing revelation that will transform the understanding of the Muslim world at large. He reveals that there is a vital but unseen rising force in the Islamic world—a new business-minded middle class—that is building a vibrant new Muslim world economy and that holds the key to winning the cold war against Iran and extremists.
His groundbreaking analysis will utterly rewrite the wisdom about how the West can best contend with the threat of Islamic extremism, as well as about what we can expect from the Muslim world in the future. The great battle for the soul of Iran, the Arab world, Pakistan, and the entire region will be fought not over religion, Nasr reveals, but over business and capitalism.
twt.fm / diana krall [athe girl in the other room # 3] "temptation"
Download Song: Amazon 9 Plays ..Listen
hamidandco
hamid tekebaye
By Jason Szep
BOSTON (Reuters) - Senator Edward Kennedy's death marks the twilight of one of America's most fabled political families, with no heirs to the Kennedy name poised to emerge with the same mix of gravitas, ambition and celebrity.
Kennedy, 77, one of the most effective lawmakers in U.S. history and the brother of assassinated President John F. Kennedy, died late on Tuesday after battling brain cancer.
He died just weeks after his sister, Eunice Kennedy Shriver, who founded the Special Olympics and was a leading advocate for the mentally disabled.
Kennedy death puts family dynasty in doubt | Politics | Reuters
An Ultimate Resource for Graphic Designers - ...via
You will notice here how cleverly designer have integrated a bed with the letter “M” to come up with a logo for an organization of doctor’s dealing with sleep issues. |
It is a logo for Architecture Center Of Budapest and looks more like a maze but if you follow the white space, the four lettered company name will become evident. |
Designer:Josiah Jost This could be defined as real creativity…A regular film reel turned to look like a scary ghost for a production house. |
Designer - Mike Erickson Zip - The “I” has been replaced with a zipper to connect the Z & P |
August 25, 2009 | New Illustration | by Gerry Mak |
Finnish illustrator Rikka Sormunen’s sexually charged and often hallucinatory images have a cinematic quality to them, evoking the stylishness and hedonism of French New Wave and old noir flicks. Read more