Colm Tóibín
The three gossips from The Ghosts of Versailles at the Wexford Opera Festival, Ireland, 2009 (wexfordopera.com)
Wexford is a small town on the sea in the south-east of Ireland and an unlikely place to host an opera festival. Yet since 1951 in late October the town has organized what has become for many opera-lovers an essential date in the calendar. The reason why it has remained important is not merely the intimacy of the setting, the general air of welcome and the strange sea-washed beauty of the old town, but the policy since the early 1970s to program three operas that have fallen beneath the radar, that are seldom or never performed.
Thus if you wanted to see Cornelius’s Der Barbier von Bagdad, you had to come to Wexford in 1974; so too with Tiefland by d’Albert (1978) or Edgar by Puccini (1980) or Le Jongleur de Notre-Dame by Massenet (1984). The opera house, down a side street, was old and uncomfortable, but that seemed only to add to the general specialness of the occasion. Last year however, a brand new opera house, built on the same site, was opened. The seats are more comfortable, the acoustics are wonderful, and the building itself has managed to lose nothing of the old intimacy.
Usually, there is much debate about the quality of the operas……
Read more NYRblog - Glorious Ghosts - The New York Review of Books
